Het noorden was nooit zo ver weg
een klein beetje.
..
on that day i will take my snow ore otherwise my moonboots on
x

dEUS is for me the original band of all times, consequently, one of my most favorite bands. They mean a lot to me. I like Mauro very much and all the projects that I heard (Evil Superstars, Mauro & the Grooms mainly). dEUS and its universe.

However there are somethings that make me said. First, I can’t figure why Tom acts so critical on MIA because of Millow wining most awards. Because if he does that why in the hell would he remember or let that hiphop band ruin Suds & Soda with a section totally OUT? I can’t understand and it means e delusion to me.

I remember the sentence “No more loud music”. Stef didn’t want it but Tom wanted it louder and rock more. In October 2008 Barman said in Portugal in an interview “We want to play uptempo songs on the next record” , so I ask myself after listening to paper bones and darks sets in, is this uptempo? I can’t understand, that is not dEUS and there is no excuse of new members. Live the band is awesome and very powerful rock band. I hope to listen many loud musics with that touch of madness that always characterized dEUS, otherwise it’s out of identity and a band that wants to change should change but keep the identity.

SO for me that’s all I have to say, I haven’t liked the guests (except Karin Dreijer Andersen) Snow Patrol guy was a mess. Totally wrong voice. DJVT was awful. Resuming I think Tom, Mauro and the rest of the guys, should make it simpler and innocent, like the times o WCS or IABUTS. And if they don’t want that much of madness don’t lose the identity. Ideal Crash is awesome because it’s classy, it’s different and it’s mature.

This is all my opinion and I would like to think that the band would hear what I’m saying. Because I know I’m not the only one thinking like this. Believe me.

Greetings from Portugal.